My conceptual work is articulated as an emotional archaeology rooted in childhood memory, where each object is transformed and imbued with an ancient tenderness. Through transparent containers (female busts), I explore the tensions of the feminine world — a receptacle where the sweetness of childhood coexists with harshness and phobia. This psychological weight extends to textile and porcelain assemblages, pieces that weave together memory and trauma.

At the heart of this duality, the coffin with legs operates as a metaphorical threshold representing, simultaneously, the death and the life of the girl — the reflection of an extreme subjectivity that borders on the end, yet is compelled to walk and open itself toward the Other.

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